In short, to postar itself ahead of Macunama is to listen to the dialogue between distinct realities that, happen through the intertextuais and interdiscursivos elements, gifts in the 15 workmanship. What copy makes to arise the old notion Greek of mimese in order to justify it, which the proper author was inferred, not as arremedo of the Real and yes as imitation of the act of the divine creation of world since, by means of the art, all artist invests of being able demiurgical. Therefore, in the same way that a painter, when painting a rose, does not produce a simple copy, but the recria in accordance with the image printed in its proper soul in the form of what it feels and not of it sees, Mrio de Andrade reopens workmanships and legends in accordance with resignificando them its perception of world, what it moves away from the term copy and its significaes to it of redundant it. Deducing from there it is possible to understand because of Macunama to have if become one of the main pillars of Brazilian literature defying the model tax for the Europe, claiming this agreement in the formularization of that it goes beyond the literary discursividade. In this direction in Macunama they drain the words of Foucaut, (FOUCAULT, 2002, P. 280); ' ' I would say, finally, that these authors had found a position ' ' transdiscursiva' ' ' ' , according to which, an author, in its workmanships, can very go beyond the restricted direction the pages, beyond the text, of book in itself and of the proper sort. So far how much it they had been Homero and Aristotle, or still Hipcrates in the field of the mathematical theory. An author can go so far in its literary work the point of this to start to function, as he more ahead called some lines of this citation; ' ' founders of discursividade' '.